Sarah Polley's intimate family tale "Stories We Tell" was supposed to be the little-seen documentary the actress-turned-director made between larger dramatic features.
HitFix's Gerard Kennedy surveys the field of Best Costume Design Oscar contenders, from period stand-out "12 Years a Slave" to the contemporary designs of "The Wolf of Wall Street."http://www.hitfix.com/blogs/in-contention
“Art is not a mirror to reflect the world,” said Bertolt Brecht. And angst may be in the eye of the beholder. Still, this season’s best picture contenders seem to be serving up equal parts entertainment and very modern anxiety, whether the films are ...
Two large-scale coffee-table books, one celebrating the magazine Vanity Fair and the other looking back at the history of the Oscars.
‘Fruitvale Station’ star Michael B. Jordan’s name may be next to Robert Redford and Tom Hanks at the Oscars. If not, there’s always a chance he’ll be in ‘Star Wars.’
The Oscar race for Best Visual Effects is underway. Ten films have made the cut with the Academy's Visual Effects Branch Executive Committee. Now, all visual effects branch members will have the opportunity to view 10-minute excerpts from these ...
The Oscars are not until March, but the jockeying for position has already begun. Melena Ryzik previews the awards landscape, which includes everything from blockbusters to indies.